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Mezzo-soprano Geneva Halverson’s red-plumed Witch sparked real terror during the singer’s taunting “Nibble, nibble, mousey, who’s nibbling at my housey?” in the third act, before an even more chilling “Hocus pocus, witch’s spell!” its final line hissed like a serpent with devilish glee.

-Opera Canada

“Mezzo-soprano Geneva Halverson brought dramatic intensity to Télaïre’s jealous sister Phébé, commanding the stage with every entrance, including the singer’s all-guns-blazing “Sortez, sortez d’esclavage.”

-Opera Canada

“Mezzo-soprano Geneva Halverson as the Second Lady equally brought dramatic intensity to the stage with every note and withering glare; the singer’s penetrating vocals always fully in command.”

-Opera Canada

“Halverson displayed an entire spectrum of vocal colours, matched by seamless phrasing, during Part II’s perennial crowd-pleaser, “How beautiful are the feet.

-Holly Harris, Winnipeg Free Press

Videos

Piu bella aurora by Isabella Colbran

Se romeo t'uccise un figlio by Bellini

O quam magnum miraculum by Hildegard von Bingen

Нет, только тот, кто знал (None but the lonely heart) by Tchaikovsky

Clara Schumann 6 Lieder, Op. 13

Musical Theatre vocal reel

BnB Studios Live Session

Wien, Wien, nur du allein

Im Prater blühn wieder die Bäume

Da Geh ich zu Maxim

Recent Recordings

Ständchen by Schubert

(live recording by Renate Rossol, pianist & Geneva, mezzo soprano.)

Aufenthalt by Schubert

(live recording by Renate Rossol, pianist & Geneva, mezzo soprano.)

Der Doppelgänger by Schubert

(live recording by Renate Rossol, pianist & Geneva, mezzo soprano.)

Die Taubenpost by Schubert

(live recording by Renate Rossol, pianist & Geneva, mezzo soprano.)

Photos
Handel's Messiah, Winnipeg Symphony Orchestra, Photographer Steve Salnikowski
Handel's Messiah, Winnipeg Symphony Orchestra, Photographer Steve Salnikowski
Interviews

Original Songs

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